For a very long time, migration was often represented in museums by displaying suitcases which can be considered as a romantic representation of migrants: “They pack their little lives” in a suitcase and leave for a foreign country. In many museum displays, suitcases stand for the good old days, but also for poverty and for the hope for a better life. Furthermore, instead of presenting migrant groups by a variety of themes such as their struggles, achievements, and goals, museums preferred to link migration to the national history, emphasizing the concept of multiculturalism. Thus, a picture of different people living together happily was drawn. The basic problem with this picture is that it doesn’t reflect the change in time and space. For instance, today, the terminology of “migrant” is mostly replaced with “citizen with migration origin”, which shows us the importance of rethinking how to display migration in museums. In this conceptual framework, this workshop aims to discuss the museological and curatorial experiences in the Federal German Migrant Women Association’s (GKB) Bibliothek der Generationen Project housed in the Historical Museum Frankfurt, which aims to archive the history of migrant women in the perspective of documenting their struggles through the years, achievements in the present day, and goals for the future.
GKB was founded in 2005 in Frankfurt and then expanded to more than 25 cities and promotes the idea of socialization and integration of migrant women in Germany. The women, coming from different geographies in Turkey, present diverse ethnical and religious identities. They participate or organize demonstrations, hand out pamphlets, conduct close relationships with other institutions, and cooperate to further common interests. In this manner, Bibliothek der Generationen Project aims to archive individual stories in various forms, such as short story book, chore recording, annual activity calendar, 10th year anniversary book, friendship book, paintings, and hand crafts in order to enable new migration narratives, which are beyond “a tiny suitcase full of frustrations and hope.” Archival materials, produced after following a series of workshops, are basically instruments for women to tell their own stories beyond dissatisfaction, desire, homeland, abroad, homesickness, problematic encounters with citizens of hosting countries, road trips to homeland, letters, diaries, smell of black tea, etc. The project, kicked off in June 2014, includes two participatory exhibitions as well: “ABC of Migrant Women Association: A Female Dictionary” (Cologne, 2015; Frankfurt, 2016; İstanbul, 2016; Berlin, 2017) and “World from Female Perspective!” (Berlin, 2017).
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.